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A drama set centered around the war between Russia and Georgia, and focused on an American journalist, his cameraman, and a Georgian native who become caught in the crossfire.
5 Days of War is an action-packed international thriller from acclaimed director, Renny Harlin. Based on true events, this intense film is a vivid account of a renegade American journalist, his cameraman and a local woman caught behind enemy lines, and determined to not only survive, but tell the world what was happening, during the swift but devastating 5-day war between Russian and the Georgian Republic in 2008
The film starts with a brief scene in Iraq where the Georgian contingent of the coalition forces saves the life of an American reporter Thomas Anders. After Anders loses one of his colleagues in Iraq, he returns to Los Angeles but soon goes to Georgia on the advice of some of his friends in Tbilisi, who suspect that a large conflict is brewing. He, along with his cameraman Sebastian Ganz, delve deeper into Georgian life as conflict escalates and they get caught in the crossfire when an air raid strikes a local wedding they stumble upon. With the help of a Georgian soldier who saved them in Iraq, their mission becomes to get their report out of the country to raise awareness of violence they have witnessed.
5 Days Of War sees the President of Georgia announce that the country is going to war with Russia over the territory of neighboring South Ossetia. American reporter Thomas Anders along with his cameraman Chris Bailot are deployed to cover the unfolding events in Georgia as the warfare becomes more savage and loss of life more extreme. As the journalists delve deeper into Georgian life, they get caught in the crossfire when an air raid strikes a local wedding they stumble upon. It is now their mission to report back the horrific violence they’ve witnessed to the rest of the world and help reunite Tatia, a young Georgian girl with her family. Together they begin to unravel the untold reality of warfare and find themselves in more danger than they ever could have imagined.
The film received 5.7/10 on IMDB based on 3,384 votes. Reaction to the film is extremely divided, with almost 35 percent of the rating 10 out of 10, and approximately 20 percent of the rating 1 out of 10. Review aggregate Rotten Tomatoes reports that 80% of critics have given the film a positive review based on 5 reviews.
The film starts in Iraq where the Georgian contingent of the coalition forces saves the life of an American reporter Thomas Anders. After Anders loses one of his colleagues in Iraq, he returns to Los Angeles but soon goes to Georgia on the advice of some of his friends in Tbilisi who suspect that a large conflict is brewing. He, along with his cameraman Sebastian Ganz, delve deeper into Georgian life as conflict escalates and they get caught in the crossfire when an air raid strikes a local wedding they stumble upon. With the help of a Georgian soldier they met in Iraq, their mission becomes to get their report out of the country to raise awareness of violence they’ve witnessed.

Movie: Flypaper (2011)
Release Date: 4 August 2011 (Netherlands)
Directors: Rob Minkoff
Writers: Jon Lucas, Scott Moore
Genres: Comedy | Crime
The story opens with a news report showing the police searching for a missing girl. We see another girl, Sylvia, walking home from her piano lesson, with a man watching her. When she gets home, she sees on the news that the missing girl has been found dead on waste ground nearby ‘ it looks as if there is a murderer at work in the area. Sylvia is very apprehensive when she has to go home after the next week’s lesson, especially when she sees the man again, and that apprehension turns to panic when he gets on the bus and starts chatting to her ‘ he is very amiable and very charming, but also very very creepy.
Sylvia is so afraid that when she sees an elderly lady get off the bus, she follows her so as to be safe with her, even though it is several stops before her own house. The woman takes care of Sylvia and they go back to the woman’s house so she can phone the police. Then comes the twist ‘ a very memorable one that I certainly wasn’t expecting. Never trust “safe” little old ladies! The look of desperation on Sylvia’s face as she suddenly realises the utter hopelessness of her situation is one that stays with you for a long time.
Nowadays, with the emphasis on abduction, stalking and “don’t talk to strangers”, the story is even more poignant than it would have been at the time it was made. Tales of the Unexpected: The Flypaper starts as the police search for 12 year old Elaine Phillips who has been missing for 5 days, then it is announced that her body has been found in a pond. Young girl Sylvia Wilkinson (Lorna Charles) thinks she notices a man (Alfred Burke) following her on her way home from her piano lesson but fails to call the police, on her way home from school the following day the same man gets on the same bus as her & starts to talk to her. Slyvia is scared & gets off the bus a stop early to contact the police, however the public phone is broken & it seems the man has also gotten off the bus & continues his unwanted attention towards Sylvia…
Episode 1 from season 3 this Tales of the Unexpected story originally aired here in the UK during August 1980 & was a highly effective & unsettling way to kick off the third season of this very hit & miss series. The fourth of twelve Tales of the Unexpected episodes to be directed by Graham Evans this is pretty much everything a Tales of the Unexpected story should be, it’s creepy, unsettling, thought provoking & has a cracking downbeat twist ending that’ll stay with you. The story by Elizabeth Taylor (no, not the Oscar winning actress…) was dramatised by Robin Chapman & during his filmed introduction Roald Dahl says Taylor lives only 6 miles from him & that the story is so clever, tight & ingenious he only wished he’d thought of it & he’s spot on really. The basic story here is very effective & it gets the whole ‘don’t talk to strangers’ message across in a genuinely shocking way, that ending really is one of the most downbeat & sombre you’ll ever come see & The Flypaper is all the better for it. The character’s are good, the dialogue is well written especially Sylvia’s monologues & the great build up compliments the great ending which ultimately leaves things up to the viewers imagination although I didn’t really want my imagination to go there…
Generally speaking these Tales of the Unexpected episodes are visually worthless & have zero style but The Flypaper is an exception as it was obviously shot entirely on 16mm film on location so it has a cinematic look to it, this also has some nice visual backdrops including a huge cathedral. This ties with Skin (1980) from season 2 as the best looking Tales of the Unexpected episode but unlike Skin this has a great story to go with it. Usually there’s a big name star in the cast of the average Tales of the Unexpected but not here & the unknown cast makes it even better, almost like a documentary.
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The Flypaper is one of the very best Tales of the Unexpected, it’s a highly effective story told in a highly effective way. This is a unsettling but creepily entertaining way to pass 25 minutes.
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Telugu movies are the movies of the Indian state Andhra Pradesh and are ranked third in terms of the number of regional films that are produced in India per year. The film industry holds the world record for having the facilities of film productions. So far about 12,000 films have been made in Telugu language. Almost daily numerous Telugu movies are remade or copied in any regional language of India.

Telugu movies came to the forefront in early 1912 in the form of silent movie. Gradually more films were produced centering on the religious characters, morals and parables. In the year 1931 the film Bhakta Prahlad came into being as the first film with audible dialogues. Thereafter the movies, better known as talkies got the momentum and gradually more and more visitors of films began thronging in the cinema halls. In the year 1934 the first commercially hit film Lavakusha by C. Pullaiah, starring great actor Subbarao and Sriranjani paved the way of gradual influx of other commercial movies made in Telugu.

In 1936 a vital shift was noted from exclusive religious themes to social issues.The cine goers acclaimed the shift and the trend changed in course of time. Gradually movies based on the social taboos like caste system and dowry became the theme and a focus on contemporary living was stressed. With the issue of social problems about 96 Telugu movies were made.

With the outbreak of Second World War there was a great decrease in the making of films in number but a remarkable change was noted. Independent studios were formed and the actors and actresses had to sign contracts keeping in mind who they would work with. During this period of great transition another shift in theme was relevant. From social corners the camera panned to folklore legends.

Telugu movies are basically commercial in nature; there is no trend of making parallel or art films. In these particular movies the effort of highlighting religious, mythological, folklore based, fairy tale based characters are created. Again the movies are packed with songs, dances, fighting scenes and absolutely larger than life characterizations. Many Telugu movies were successful in bagging the titles of best national movies such as Sapthapadhi, Rudraveena, Kante Koothume Kanu and Advaitam. Swathi Muthyam, the only Telugu film, was sent by the Film Corporation of India as the official entry in the Foreign Language Movie for the Academy Awards in the year 1986.

There are great actors like N. T. Rama Rao, V. Nagaiah and S.V. Ramga Rao who have taken the Telugu movies to the apex of popularity. Even directors like K. Viswanath, S.S. Rao, Bapu and Dashari Narayana Rao won acclamation from all sectors of audience. Eva Katta, Ram Gopal Verma, B. Subba Rao etc made films to be showcased in both Indian and international film festivals.

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At a time when going ultraglam seems to be the only ‘talent’ required to be heroine material in Bollywood, Sonakshi Sinha is naturally going all out to change the desi girl image she acquired in her debut film Dabangg.
In her new film Son Of Sardar (SOS), a romantic thriller, which Sonakshi signed recently opposite Ajay Devgn, the actress has decided to go sexy and westernised with vengeance and also lose weight to fit into trendy attire.
And so, ace designer Manish Malhotra is all set to chalk out a hip-and-happening wardrobe for Sonakshi’s look in the film, which also stars Sanjay Dutt and Juhi Chawla, and is directed by Atithi Tum Kab Jaaoge? maker Ashwini Dhir.
Sonakshi, in fact, recently made it clear that she will only have Manish design her wardrobe for the film – or for any other film that she does in the future, for that matter. That was also the reason why Ajay and his co-producer of the film, N.R. Pachisia, wasted no time in signing Manish as the costume designer as soon as Sonakshi was finalised for the project and even before the rest of the crew was decided.
“It’s good to look dissimilar in all new photo shoot or film. All my filmmakers want me to wear the sari after Dabangg but I will try and mix it up,” Sonakshi recently said.
While details are yet to be drawn out on Sonakshi’s wardrobe for the film, the buzz is that Manish might give her lots of casual attire, including tees, denims, capris and short dresses.
Shatrughan Sinha’s 24-year-old daughter took the industry by storm with her debut act as a smalltown girl in Dabangg last year and drew applauds for the way she matched superstar Salman Khan’s screen presence. She has been flooded with offers since then. SOS apart, biggies starring Sonakshi that are scheduled to release over the next year include Joker and Rowdy Rathore opposite Akshay Kumar, Dabangg 2 and Kick opposite Salman, and Lootera opposite Ranveer Singh.
Although she goes for a westernised makeover in SOS, Sonakshi has, however, made it clear that she will not be seen sporting a bikini on screen.
While Sonakshi will go all out with glamour in SOS, co-star Ajay is all set to don a turbaned Sikh look in the film.
Sonakshi, however, isn’t giving up her desi USP totally.”I am proud of my ‘desi-ness’ and that is the image, I am creature asked to play out on screen in most of my upcoming films.But it is always good to keep scope for change,” she said.
The shooting for SOS, a remake of the 2010 Telugu hit, Maryada Ramanna, starts in Patiala this week.